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In her early years in Iran, her work mainly took the form of fiction short films rooted in personal narratives. After entering an art school in France, her practice gradually shifted toward experimental cinema and formal research.

She is currently developing an ongoing series titled Epistolary Films, based on letters and correspondences never sent, transformed into films. Each work is constructed from a personal letter anchored in a specific place and brought into dialogue with secondary narratives such as folktales, literary fragments, or stories tied to the memory of the site.

Alongside this body of work, she has initiated a second research series, Lone Weepers (Les Seules pleureuses), centered on tears, mourning, and solitary mourning figures, in relation to lullabies from the Middle East and Asia, approached as forms of transmission and memory.

Her works have been presented in several exhibitions and festivals in France, Iran, the United Kingdom, the United States, Croatia, China, and Russia.